Posts Tagged ‘perception’

HOW WOULD A CHILD SOLVE YOUR PROBLEM?

Because our perceptual positions determine how we view things, it’s important to learn how to shift our perspective to look at our subject in different ways. One way to shift perception is to try and look at the subject from someone else’s perspective. Soren Kierkegaard, the nineteenth century Danish philosopher, called this kind of thinking the “rotation” method .” He was thinking of crops while simultaneously thinking about perspective. You can’t grow corn indefinitely on the same field; at some point, to refresh the soil, you have to plant hay.  Similarly, to grow a different perspective, it’s helpful to adopt a different role to expand your creative consciousness toward your problem.

All of us with a little thought can come up with easy ways to change our perspectives by adopting a different role. My friend Peggy Dupra, a middle school principal, had a problem with her female pupils who were experimenting with lipstick. The girls were kissing the mirrors in the bathroom leaving their lip prints on bathroom mirrors. The maintenance department constantly asked her to have the pupils stop this practice. Peggy lectured, pleaded and threatened the girls with detention, but nothing seemed to help.

Peggy invited me to discuss the problem with her teachers. I talked about perception and how we see no more than what we expect to see. My message was that if you change the way you look at the problem, the nature of the problem will change. I dimmed the lights and asked them to do a little exercise. The exercise I had them perform was to think back in time to when they were the same age as their students.

They thought of their life experiences, pictured their parents, friends and relatives as they looked then. They began remembering all sorts of past friends, and, importantly, how they really felt at the time about the world. The more they remembered the more they felt like young school girls. After a few minutes, they became aware of random thoughts and images from years ago

They had a ball remembering those days. One teacher laughed when she thought of her best friend Ellen of years ago and how they always tried to gross each other out in a game they called “Yechhhh!” She remembered one time when they spread the rumor that the cafeteria was using sewage water from a ditch to make pizzas to save having to pay for water. Once the students heard the rumor, they refused to eat the pizza.

Suddenly Peggy got an insight from the teacher’s story. She said “That’s it!” What rumor can we start that will stop the girls from kissing the mirrors? They came up with several and eventually agreed upon one. After conspiring with the janitor, Peggy invited a group of girls into the bathroom saying she wanted them to witness the extra work they made for the janitor cleaning their lip prints.

The janitor came in and stepped into an open toilet stall. He dipped his squeegee into a toilet, shook off the excess toilet water then used the squeegee to clean the mirrors. The students were appalled. They immediately told all their friends that the janitor was using toilet water to clean the mirrors. Changing the teacher’s perspective of the problem from an adult to a young girl introduced a clever solution to the problem that they probably could not have discovered using their usual way of thinking. 

Michael Michalko


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How to Get Ideas while Dozing

ideas

In the history of art, most people could easily argue that Salvador Dalí is the father of surrealistic art. Surrealism is the art of writing or painting unreal or unpredictable works of art using the images or words from an imaginary world. Dali’s art is the definition of surrealism. Throughout his art he clearly elaborates on juxtaposition (putting similar images near each other), the disposition (changing the shape of an object), and morphing of objects, ranging from melted objects dripping, to crutches holding distorted figures, to women with a heads of bouquets of flowers.

Dali was intrigued with the images which occur at the boundary between sleeping and waking. They can occur when people are falling asleep, or when they are starting to wake up, and they tend to be extremely vivid, colorful and bizarre. His favorite technique is that he would put a tin plate on the floor and then sit by a chair beside it, holding a spoon over the plate. He would then totally relax his body; sometimes he would begin to fall asleep. The moment that he began to doze the spoon would slip from his fingers and clang on the plate, immediately waking him to capture the surreal images.

The extraordinary images seem to appear from nowhere, but there is a logic. The unconscious is a living, moving stream of energy from which thoughts gradually rise to the conscious level and take on a definite form. Your unconscious is like a hydrant in the yard while your consciousness is like a faucet upstairs in the house. Once you know how to turn on the hydrant, a constant supply of images can flow freely from the faucet. These forms give rise to new thoughts as you interpret the strange conjunctions and chance combinations.

Surrealism is the stressing of subconscious or irrational significance of imagery, or in more simplistic terms, the use of dreamlike imagery. Dalí’s absurd imagination has him painting pictures of figures no person would even dream of creating.  Following is a blueprint Dali’s technique.

BLUEPRINT

  • Think about your challenge. Consider your progress, your obstacles, your alternatives, and so on. Then push it away and relax.
  • Totally relax your body. Sit on a chair. Hold a spoon loosely in one of your hands over a plate. Try to achieve the deepest muscle relaxation you can. •
  • Quiet your mind. Do not think of what went on during the day or your challenges and problems. Clear your mind of chatter.
  • Quiet your eyes. You cannot look for these images. Be passive. You need to achieve a total absence of any kind of voluntary attention. Become helpless and involuntary and directionless. You can enter the hypnogogic state this way, and, should you begin to fall asleep, you will drop the spoon and awaken in time to capture the images.
  • Record your experiences immediately after they occur. The images will be mixed and unexpected and will recede rapidly. They could be patterns, clouds of colors, or objects.
  • Look for the associative link. Write down the first things that occur to you after your experience. Look for links and connections to your challenge. Ask questions such as:

What puzzles me?

Is there any relationship to the challenge?

Any new insights? Messages?

What’s out of place?

What disturbs me?

What do the images remind me of?

What are the similarities?

What analogies can I make?

What associations can I make?

How do the images represent the solution to the problem?

A restaurant owner used this technique to inspire new promotion ideas. When the noise awakened him, he kept seeing giant neon images of different foods: neon ice cream, neon pickles, neon chips, neon coffee, and so on. The associative link he saw between the various foods and his challenge was to somehow to use the food itself as a promotion.

The idea: He offers various free food items according to the day of week, the time of day, and the season. For instance, he might offer free pickles on Monday, free ice cream between 2 and 4 P.M. on Tuesdays, free coffee on Wednesday nights, free sweet rolls on Friday mornings, free salads between 6 and 8 P.M. on Saturdays and so on. He advertises the free food items with neon signs, but you never know what food items are being offered free until you go into the restaurant. The sheer variety of free items and the intriguing way in which they are offered has made his restaurant a popular place to eat.

Another promotion he created as a result of seeing images of different foods is a frequent-eater program. Anyone who hosts five meals in a calendar month gets $30 worth of free meals. The minimum bill is $20 but he says the average is $30 a head. These two promotions have made him a success.

The images you summon up with this technique have an individual structure that may indicate an underlying idea or theme. Your unconscious mind is trying to communicate something specific to you, though it may not be immediately comprehensible. The images can be used as armatures on which to hang new relationships and associations.

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To discover more creative-thinking techniques read CRACKING CREATIVITY (THE SECRETS OF CREATIVE GENIUS) by Michael Michalko http://www.amazon.com/Cracking-Creativity-Secrets-Creative-Genius/dp/1580083110/ref=pd_sim_b_2?ie=UTF8&refRID=16NCRBEMHRCEQ1RAZG5V

 

Creative Thinking Exercise

Creative Thinking Exercise

Test your perception and pattern recognition skills and try to solve the problem. You have two classes of figures (A and B). You are asked to discover some abstract connection that links all the various diagrams in A and that distinguishes them from all the other diagrams in group B.

For the answer and another problem visit http://creativethinking.net/articles/2014/01/23/a-test-of-your-creative-thinking-perception-skills/