Posts Tagged ‘creatgive thinking’

How to Prevent the Breakage of Eggs

EGGWorld-renowned physicist, Professor Freeman Dyson, has been described as a ‘force-of-nature intellect’ and a visionary who has reshaped scientific thinking with his skepticism about theories that are based on chains of inferences. One of his humorous examples is about an expert who has an established theory about the danger of boxes and their effect on human life and the environment. The theory is that boxes might be harmful and the use of boxes should be regulated. Now, suppose that I leave a box on the floor, and my wife trips on it, falling against my son, who is carrying a carton of eggs, which then fall and break.  The expert’s approach to an event like this would be that the best way to prevent the breakage of eggs would be to outlaw leaving boxes on the floor. As silly as this example is, it is analogous to what is happening in the world of global warming. The chief difference is that in the case of atmospheric CO2 and climate catastrophe, the chain of inference is longer and less plausible, according to Dyson, than in the example.

Dyson’s impression about climate change is that the experts are deluded because they have been studying the details of climate models for 40 years and they have come to believe the computer models are real. After 40 years they have lost the ability to think outside their models.

I suspect that this is why climatologists are feverishly working hard to prove, that warming, freezing, droughts, hurricanes, tidal waves, flooding, ice caps, deserts, monsoons, tornadoes, tsunamis, earthquakes, volcano eruptions, and our last ice age were all the result of global warming.

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Michael Michalko www.creativethinking.net

Creative Thinking Technique: Combine Ideas from Different Domains

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Many breakthroughs are based on combining information from different domains that are usually not thought of as related. Integration, synthesis both across and within domains, is the norm rather than the exception. Ravi Shankar found ways to integrate and harmonize the music of India and Europe; Paul Klee combined the influences of cubism, children’s drawings, and primitive art to fashion his own unique artistic style; Salvador Dali integrated Einstein’s theory of relativity into his masterpiece Nature Morte Vivante, which artistically depicts several different objects simultaneously in motion and rest. And almost all scientists cross and recross the boundaries of physics, chemistry, and biology in the work that turns out to be their most creative.

ASK PEOPLE IN DIFFERENT DOMAINS FOR IDEAS. Another way to combine talent is to elicit advice and information about your subject from people who work in different domains. Interestingly, Leonardo da Vinci met and worked with Niccolô Machiavelli, the Italian political theorist, in Florence in 1503. The two men worked on several projects together, including a novel weapon of war: the diversion of a river. Professor Roger Masters of Dartmouth College speculates that Leonardo introduced Machiavelli to the concept of applied science. Years later, Machiavelli combined what he learned from Leonardo with his own insights about politics into a new political and social order that some believe ultimately sparked the development of modern industrial society.

Jonas Salk, developer of the vaccine that eradicated polio, made it a standard practice to interact with men and women from very different domains. He felt this practice helped to bring out ideas that could not arise in his own mind or in the minds of people in his own restricted domain. Look for ways to elicit ideas from people in other fields. Ask three to five people who work in other departments or professions for their ideas about your problem. Ask your dentist, your accountant, your mechanic, etc. Describe the problem and ask how they would solve it.

Listen intently and write down the ideas before you forget them. Then, at a later time, try integrating all or parts of their ideas into your idea. This is what Robert Bunsen, the chemist who invented the familiar Bunsen burner, did with his problem. He used the color of a chemical sample in a gas flame for a rough determination of the elements it contained. He was puzzled by the many shortcomings of the technique that he and his colleagues were unable to overcome, despite their vast knowledge of chemistry. Finally, he casually described the problem to a friend, Kirchhoff, a physicist, who immediately suggested using a prism to display the entire spectrum and thus get detailed information. This suggestion was the breakthrough that led to the science of spectrography and later to the modern science of cosmology.

EXAMPLES. Physicists in a university assembled a huge magnet for a research project. The magnet was highly polished because of the required accuracy of the experiment. Accidentally, the magnet attracted some iron powder that the physicists were unable to remove without damaging the magnet in some way. They asked other teachers in an interdepartmental meeting for their ideas and suggestions. An art instructor came up with the solution immediately, which was to use modeling clay to remove the powder.

The CEO of a software company looked for ways to motivate employees to participate more actively in the creative side of the business. They wanted employee ideas for new processes, new products, improvements, new technologies and so on. He tried many things but nothing seemed to excite and energize employees to become more creative.

One evening at a dinner with some of his friends he mentioned his problem and asked them for ideas. After a brief discussion, a friend who was a stockbroker suggested thinking ways to parallel ideas with stocks. Look for ways for people to buy and sell ideas the same way his customers study, buy and sell stocks on the stock exchange.

The CEO was intrigued with the novelty of the idea and he and his stockbroker friend looked for patterns between the stock exchange and an internal employee program. They blended the architecture of the stock exchange with the internal architecture of their company’s internal market to create the company’s own stock exchange for ideas. Their exchange is called Mutual Fun. Any employee can propose that the company acquire a new technology, enter a new business, make a new product or make an efficiency improvement. These proposals become stocks, complete with ticker symbols, discussion lists and e-mail alerts.

 Fifty-five stocks are listed on the company’s internal stock exchange. Each stock comes with a detailed description — called an expectus, as opposed to a prospectus — and begins trading at a price of $10. Every employee gets $10,000 in “opinion money” to allocate among the offerings, and employees signal their enthusiasm by investing in a stock and, better yet, volunteering to work on the project. Employees buy or sell the stocks, and prices change to reflect the sentiments of the company’s executives, engineers, computer scientists, project managers, marketing, sales, accountants and even the receptionist.

The result has been a resounding success. Among the company’s ‘ core technologies are pattern-recognition algorithms used in military applications, as well as for electronic gambling systems at casinos. A member of the administrative staff, with no technical expertise, thought that this technology might also be used in educational settings, to create an entertaining way for students to learn history or math. She started a stock called Play and Learn (symbol: PL), which attracted a rush of investment from engineers eager to turn her idea into a product. Lots of employees got passionate about the idea and it led to a new line of business.

INVITE OTHER DEPARTMENTS TO JOIN YOUR BRAINSTORMING SESSION. If you’re brainstorming a business problem in a group, try asking another department to join yours. For example, if you are in advertising and want to create a new product advertising campaign, ask people from manufacturing to join your session. Separate the advertising and manufacturing people into two groups. Each group brainstorms for ideas separately. Then combine the groups and integrate the ideas.

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cc.3For more ideas on how to combine dissimilar subjects to create new ideas read Cracking Creativity: The Secrets of Creative Genius by Michael Michalko http://www.amazon.com/Cracking-Creativity-Secrets-Creative-Genius/dp/1580083110/ref=pd_sim_b_2?ie=UTF8&refRID=16NCRBEMHRCEQ1RAZG5V

 

 

How to Get Ideas while Dozing

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In the history of art, most people could easily argue that Salvador Dalí is the father of surrealistic art. Surrealism is the art of writing or painting unreal or unpredictable works of art using the images or words from an imaginary world. Dali’s art is the definition of surrealism. Throughout his art he clearly elaborates on juxtaposition (putting similar images near each other), the disposition (changing the shape of an object), and morphing of objects, ranging from melted objects dripping, to crutches holding distorted figures, to women with a heads of bouquets of flowers.

Dali was intrigued with the images which occur at the boundary between sleeping and waking. They can occur when people are falling asleep, or when they are starting to wake up, and they tend to be extremely vivid, colorful and bizarre. His favorite technique is that he would put a tin plate on the floor and then sit by a chair beside it, holding a spoon over the plate. He would then totally relax his body; sometimes he would begin to fall asleep. The moment that he began to doze the spoon would slip from his fingers and clang on the plate, immediately waking him to capture the surreal images.

The extraordinary images seem to appear from nowhere, but there is a logic. The unconscious is a living, moving stream of energy from which thoughts gradually rise to the conscious level and take on a definite form. Your unconscious is like a hydrant in the yard while your consciousness is like a faucet upstairs in the house. Once you know how to turn on the hydrant, a constant supply of images can flow freely from the faucet. These forms give rise to new thoughts as you interpret the strange conjunctions and chance combinations.

Surrealism is the stressing of subconscious or irrational significance of imagery, or in more simplistic terms, the use of dreamlike imagery. Dalí’s absurd imagination has him painting pictures of figures no person would even dream of creating.  Following is a blueprint Dali’s technique.

BLUEPRINT

  • Think about your challenge. Consider your progress, your obstacles, your alternatives, and so on. Then push it away and relax.
  • Totally relax your body. Sit on a chair. Hold a spoon loosely in one of your hands over a plate. Try to achieve the deepest muscle relaxation you can. •
  • Quiet your mind. Do not think of what went on during the day or your challenges and problems. Clear your mind of chatter.
  • Quiet your eyes. You cannot look for these images. Be passive. You need to achieve a total absence of any kind of voluntary attention. Become helpless and involuntary and directionless. You can enter the hypnogogic state this way, and, should you begin to fall asleep, you will drop the spoon and awaken in time to capture the images.
  • Record your experiences immediately after they occur. The images will be mixed and unexpected and will recede rapidly. They could be patterns, clouds of colors, or objects.
  • Look for the associative link. Write down the first things that occur to you after your experience. Look for links and connections to your challenge. Ask questions such as:

What puzzles me?

Is there any relationship to the challenge?

Any new insights? Messages?

What’s out of place?

What disturbs me?

What do the images remind me of?

What are the similarities?

What analogies can I make?

What associations can I make?

How do the images represent the solution to the problem?

A restaurant owner used this technique to inspire new promotion ideas. When the noise awakened him, he kept seeing giant neon images of different foods: neon ice cream, neon pickles, neon chips, neon coffee, and so on. The associative link he saw between the various foods and his challenge was to somehow to use the food itself as a promotion.

The idea: He offers various free food items according to the day of week, the time of day, and the season. For instance, he might offer free pickles on Monday, free ice cream between 2 and 4 P.M. on Tuesdays, free coffee on Wednesday nights, free sweet rolls on Friday mornings, free salads between 6 and 8 P.M. on Saturdays and so on. He advertises the free food items with neon signs, but you never know what food items are being offered free until you go into the restaurant. The sheer variety of free items and the intriguing way in which they are offered has made his restaurant a popular place to eat.

Another promotion he created as a result of seeing images of different foods is a frequent-eater program. Anyone who hosts five meals in a calendar month gets $30 worth of free meals. The minimum bill is $20 but he says the average is $30 a head. These two promotions have made him a success.

The images you summon up with this technique have an individual structure that may indicate an underlying idea or theme. Your unconscious mind is trying to communicate something specific to you, though it may not be immediately comprehensible. The images can be used as armatures on which to hang new relationships and associations.

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To discover more creative-thinking techniques read CRACKING CREATIVITY (THE SECRETS OF CREATIVE GENIUS) by Michael Michalko http://www.amazon.com/Cracking-Creativity-Secrets-Creative-Genius/dp/1580083110/ref=pd_sim_b_2?ie=UTF8&refRID=16NCRBEMHRCEQ1RAZG5V

 

What I Have Learned about Creative Thinking from Henri Matisse

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The French artist Henri Matisse argued, in writing about painting portraits, that the character of a human face is seen in the whole and not in the particular and, in fact, may not be captured by particular features at all. The whole captures the essence of a face. To make his point, he drew four self-portraits of Matisse.

These drawings are remarkable. The features are different in each drawing. In one he has a weak chin, in another a very strong chin. In one he has a huge Roman nose, in another a small pudgy nose. In one the eyes are far apart, in another they are close together. And yet in each of the four faces, when we look at the whole we see the unmistakable face and character of Henri Matisse.

If we studied the drawings logically, we would separate out the different features (the chins, noses, eyes, glasses, etc.) and compare them for similarities and differences. We would eventually become expert in separating and defining the differences between the various noses, chins, eyes, and other features. Our understanding of what the drawings represent would be based on the particulars of the four different sketches, and we could not realize that all four are of the same man.

Robert Dilts, an expert in Neuro Linguistic Programming (NLP), wrote about another enlightening experiment which was done by gestalt psychologists with a group of dogs in Anchor Point magazine. The dogs were trained to approach something when shown a “white” square and avoid it when shown a “gray” square. When the dogs learned this, the experimenters switched to using a gray square and a black square. The dogs immediately shifted to approaching the object in response to the gray square (which had previously triggered avoidance), and avoiding the object when shown the black square (which had not been conditioned to anything). Presumably, rather than perceive the gray as an absolute stimulus, the dogs were responding to the deeper essence of “lighter versus darker” as opposed to gray, white or black as being properties.

You can train a human to approach something when shown a white square and avoid it when shown a gray square. When the squares are switched to gray and black, the human will still avoid the gray square. Once gray has been defined in our minds, we see the gray as independent and entirely self-contained. This means nothing can interact with it or exert an influence on it. It, in fact, becomes an absolute.

We have lost the sensitivity to deeper relationships, functions, and patterns because we are educated to focus on the particulars of experience as opposed to the universals. We see them as independent parts of an objective reality. For example, if the average person were asked to build automobiles, that person would undoubtedly study how cars are made and then reproduce the same system without looking for alternatives. Opposed to this kind of thinking is the risk-taking thinking of creative thinkers whish is richer and curiously sounder than elaborate reasoning. Many more dimensions, beneath and beyond words, vague, volatile complexities impossible to catch by hard work of linear thought, fall in place as if at once.

What Did Henry Ford Learn from Slaughtering Pigs that Made Him a Multi-Millionaire?

When Henry Ford decided to build automobiles, he didn’t think of how cars are manufactured. He thought of essences, functions, and patterns which freed his imagination from the constraints of words, labels, and categories. He looked at “how things are made” and “how things are taken apart.” Among his many experiences was his visit to a slaughterhouse, where he watched how workers slaughtered pigs on a moving assembly line. Conceptually blending the patterns of the slaughterhouse method of disassembling pigs with assembling cars, he created the concept of the assembly line that made the Model T possible.

Why Did the U.S. Postal Service Have to Wait for Federal Express to Show Them How to Make Overnight Deliveries Possible?

The U.S. Postal Service and UPS both worked on the challenge of making overnight deliveries using established systems and theories. They thought logically in terms of packages and points. If, for instance, you want to connect one hundred markets with one another, and if you do it all with direct point-to-point deliveries, it will take one hundred times ninety-nine – or ninety-nine hundred – direct deliveries. They concluded that there was no way they could make it economically feasible.

Fred Smith did not think in terms of delivering packages within established systems. Instead he perceived the essence of all delivery systems to be “movement.” So, Smith wondered about the concept of movement, and thought about how things are moved from one place to another. He thought about how information is moved, and how banks move money around the world. Both information systems and banks, he discovered, put all points in a network and connect them through a central hub . He decided to create a delivery system – Federal Express, now known as FedEx – that operates essentially the way information and bank clearinghouses do.

If you take any individual transaction, this kind of system seems absurd – it means making at least one extra stop. But if you look at the network as a whole, it’s an efficient way to create an enormous number of connections. But if you go through a single clearinghouse system, it will take at most one hundred deliveries. So you’re looking at a system that is about one hundred times as efficient. His delivery system is so efficient that the same idea was subsequently employed in, of course, all air cargo delivery systems in industry.

It is important to realize that the patterns of moving money, information, and goods do not describe an actual idea or fact – they describe the potential for an idea or fact of nature. Banks and delivery systems, for example, are not in themselves phenomena and did not become phenomena until they were observed and conceptually blended into one phenomenon in the mind of Fred Smith.

Take a few moments and wonder about how many things you know that would suddenly take on new meanings if only you could perceive the connections between their essences and patterns with dissimilar things such as slaughtering pigs with manufacturing cars or bank clearinghouses with overnight delivery.

Michael Michalko is the author of the highly acclaimed Thinkertoys: A Handbook of Creative Thinking Techniques; Cracking Creativity: The Secrets of Creative Genius; ThinkPak: A Brainstorming Card Deck and Creative Thinkering: Putting Your Imagination to Work.

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